International Conference on History of Music (ICOHM - 27)

This track explores the intersection of archaeology and music history, focusing on how archaeological findings can illuminate the musical practices of past societies. Participants are encouraged to present case studies that highlight the role of music in cultural and social contexts throughout history.

This session examines the evolution of communication methods and media in relation to music history, including the impact of technology on music dissemination. Papers may address historical media forms, their influence on music culture, and the implications for contemporary music studies.

This track investigates the relationship between human activities, environmental factors, and the development of musical traditions. Contributions should focus on how ecological contexts have shaped musical forms and practices across different cultures and time periods.

This session promotes interdisciplinary methodologies in music archaeology, emphasizing the integration of various scientific techniques and theoretical frameworks. Presentations should showcase innovative research that combines archaeological evidence with musicological analysis.

This track delves into the role of music in prehistoric societies, exploring how early humans used sound for communication, ritual, and social cohesion. Papers should consider archaeological evidence and theoretical interpretations of music's significance in ancient cultures.

This session focuses on the application of modern technologies, such as remote sensing and GIS, in the study of historical music practices. Participants are invited to discuss how these tools enhance our understanding of music's role in archaeological contexts.

This track examines the relationship between ceramics and musical instruments, exploring how material culture informs our understanding of music history. Papers should investigate the production, use, and significance of ceramic instruments in various cultural settings.

This session explores the connections between bioarchaeological findings and musical identity, focusing on how physical remains can reveal insights into the musical practices of past populations. Contributions should highlight case studies that link bioarchaeology with musicological research.

This track investigates the role of metals in the creation of musical instruments and their cultural significance throughout history. Papers should explore the technological advancements in metallurgy and their impact on music production and performance.

This session addresses the challenges and methodologies involved in interpreting and presenting musical heritage in archaeological contexts. Participants are encouraged to share innovative approaches to showcasing music history through exhibitions, performances, and digital media.

This track examines the concept of archaeological feedback in the study of music history, focusing on how contemporary music practices can inform archaeological interpretations. Contributions should explore the reciprocal relationship between modern music and historical research.