International Conference on Film Theory, Criticism, and Analysis (ICFTCA - 26)

This track invites papers that delve into the foundational concepts of film theory, examining both classical and contemporary perspectives. Scholars are encouraged to propose innovative theoretical frameworks that challenge traditional paradigms in film studies.

This session focuses on the intricate structures of cinematic narratives and their interpretations across various genres. Contributions should analyze narrative techniques and their impact on audience engagement and meaning-making.

This track investigates the concept of the auteur and its implications for understanding authorship in cinema. Papers may explore the contributions of specific filmmakers and the cultural contexts that shape their artistic visions.

This session examines the evolution of film genres and their cultural significance within different historical contexts. Participants are encouraged to analyze genre conventions and their influence on audience expectations and societal reflections.

This track explores the intersections between visual culture and film, focusing on how visual media shapes and is shaped by cultural narratives. Papers should address the implications of visual representation in cinematic texts and their broader societal effects.

This session invites discussions on the methodologies and perspectives employed in film criticism today. Scholars are encouraged to reflect on the evolution of film criticism and its role in shaping public discourse around cinema.

This track examines the relationship between cultural studies and film, emphasizing the importance of context in understanding cinematic texts. Contributions should analyze how cultural factors influence film production, reception, and interpretation.

This session focuses on the application of critical theory to film studies, exploring various theoretical approaches such as feminist, Marxist, and psychoanalytic critiques. Papers should address how these frameworks enhance our understanding of cinematic texts.

This track invites scholars to revisit and re-evaluate canonical works in film history, considering their lasting impact and relevance. Participants are encouraged to explore underrepresented narratives and alternative histories within the cinematic canon.

This session focuses on narrative analysis in film, examining the techniques employed by filmmakers to construct meaning. Contributions should highlight current trends in narrative theory and their implications for film analysis.

This track explores the phenomenon of transnational cinema and its implications for film studies. Papers should analyze how globalization affects cinematic practices, narratives, and audience reception across different cultures.